#2/3–“Apple”–5″ x 6″ collage, oil pastels, and Conté crayon on cardboard
See more about Lisa Ni Bhraonain on the Back Page of this issue.
Online Poetry & Art
Notes from the Editor
COVER ART: "Grow" 4" x 6" collage by Carolyn Adams
Table of Contents:
Page One: Carolyn Adams Frank Babcock Louise Cary Barden paul A. Bluestein
Page Two: Jeff Burt Lorraine Carey Gail Braune Comorat David Felix R.T. Castleberry Claudia Castro Luna
Page Three: Dale Champlin Michael Chang Lisa Ni Bhraonain Nancy Christopherson Delia Garigan Brigitte Goetze
Page Four: Lori Chortkoff Hops Tricia Knoll Kristin LaFollette Susan Landgraf Gary Lark Edward Lee
Page Five: Sherri Levine Aurora Lewis A. Martine Joy L. McDowell Lisa Ni Bhraonain Lisa Ni Bhraonain
Page Six: Aimee Nicole Calida Osti Jimmy Pappas Marjorie Power Elizeya Quate Maria Rouphail
Page Seven: Lisa Ni Bhraonain Charles Springer Tim Suermondt Nicole Taylor Pepper Trail Vivian Wagner
Page Eight: Laura Lee Washburn Lesley Williams BACK PAGE with Lisa Ni Bhraonain
#2/3–“Apple”–5″ x 6″ collage, oil pastels, and Conté crayon on cardboard
See more about Lisa Ni Bhraonain on the Back Page of this issue.
I was going for a walk in the almost dark when headlights from behind lit up a porcupine a few feet ahead and I didn’t mind shooting the breeze with her but not before we left the macadam for the short grass and the porcupine told me right off she was attracted to my dark gray suede shoes, same color and texture she said as the hide beneath all her quills and no, she nor any other porcupine she knew could catapult them into my skin and she instructed me how to stroke her, she so liked being stroked and how almost impossible it was to find anyone who’d do it and when I did it, the quills tickled us both and she asked if she could run her paws over my shoes and I said, sure, why not, what could it hurt and I thought she might be falling in love, then she told me her twin boys had been struck by a pickup and succumbed in the tangle of witch hazel beyond the U-curve so what else could I do but give them to her, leaving me to make it home barefoot in the sharp light of a new moon.
Charles Springer has degrees in anthropology and is an award-winning painter. A Pushcart Prize nominee, he is published in over seventy journals including The Cincinnati Review, Faultline, Windsor Review, Packingtown Review, and Tar River Poetry. His first collection of poems entitled JUICE has been published by Regal House Publishing. He writes from Pennsylvania.
Lord, our joints do creak, but our 12 to 15 foot jump shots remain deadly accurate.
Ballers—it’s in the blood and if our moves can no longer be characterized as
French pastry, there’s enough jellyroll left to raise a few eyebrows. We play until
it’s too dark to continue and tramp to the nearest Irish bar, rough looking on
the inside yet occupied by gentle men. I enjoy hearing my compatriots spin their
adventures, particularly as it pertains to the Mekong, maybe because my 349 draft
number—the only lottery I’ve ever won—assured there would be no rice paddies
for me back then. “I forgive you,” one of the guys says, “for setting that screen that
put me on my ass.” “Yeah,” I say, “I’m usually a lover, not a fighter.” Another says
“We should drink to that” and we lift our beer glasses and toast love, love,love,
our gray, our white hair glowing a light blond in the cheap yellow of the strobe
lights.
Tim Suermondt is the author of five full-length collections of poems, the latest JOSEPHINE BAKER SWIMMING POOL from MadHat Press, 2019. He has published in Poetry, Ploughshares, Prairie Schooner, The Georgia Review, Bellevue Literary Review, Stand Magazine, december magazine, and Plume, among many others. He lives in Cambridge (MA) with his wife, the poet Pui Ying Wong.
But the name does not matter,
this is a spoon The spoon and
table are just things. I know that,
Alec replies to my mom.
Several of us are eating at DQ with
my youngest nephew. My nephew,
thirteen year old Alec just finished
his middle school choir concert.
We try to understand Mom, sometimes I tell him.
The object is still useful.
Alec turns to his mom and says
Mom, you’re a spoon.
His mother replies, Thank you.
Nicole Taylor lives in Eugene, Oregon. She has been an artist, a dancer, a hiker, a poetry note taker, a sketcher, a volunteer and a dancer. Her poems have been published in Boneshaker: A Bicycling Almanac, Cirque Journal, Clackamas Literary Review, Just Another Art Movement Journal – dance poems to New Zealand, West Wind Review, and others. You can read her poetry at Oregon Poetic Voices.
As girl, you hid behind a hood of hair
Took up residence inside overalls
Deflected eyes every way you could
As young man, you now reveal yourself
A dandy, startling in your pegged green pants
Thrift-store shoes, sleek as greyhounds
Paired with Armani shirt and blazer by Zara
Its texture echoed exactly in the S24 tie
Sunning itself on your broad chest
You weave through the midday streets
Among the folk living their lives
In flip-flops and unfortunate shorts
And every head turns as you pass
It is in the nature of the sun to shine
Pepper Trail‘s poems have appeared in Rattle, Atlanta Review, Spillway, Borderlands, Ascent and other publications, and have been nominated for Pushcart and Best of the Net Awards. His collection, Cascade-Siskiyou: Poems, was a finalist for the 2016 Oregon Book Award in Poetry. He lives in Ashland, Oregon, where he works as a biologist for the U.S. Fish and Wildlife Service.
That high, clear wall you see in
the distance is really the sky,
etched with clouds.
Sometimes it feels like
you live in a bubble,
but you don’t.
Everything extends
outward, to infinity.
You aren’t trapped.
The horizon only seems fixed.
Try this: go for a long walk
and listen for the shatter
of glass that isn’t there.
Vivian Wagner lives in New Concord, Ohio, where she’s an associate professor of English at Muskingum University. Her work has appeared in Slice Magazine, Muse/A Journal, Forage Poetry Journal, Pittsburgh Poetry Review, McSweeney’s Internet Tendency, and many others. She’s the author of a memoir, Fiddle: One Woman, Four Strings, and 8,000 Miles of Music (Citadel-Kensington); a full-length poetry collection, Raising (Clare Songbirds Publishing House); and three poetry chapbooks. See Vivian Wagner Books for more information.
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