Red Shoes
A little trick we have or have not learned–Jim Harrison
Online Poetry & Art
The second issue of Willawaw Journal features a hybrid of poetry and image as well as poetry in response to Poet Laureate Lawson Fusao Inada's "Everything."
Cover Art: Rose of Sharon, by Lorelle Otis (artist statement on back page)
First Page: Editor's Notes Carolyn Adams Deborah Bacharach with Keiko Hara Devon Balwit Eleanor Berry
Second Page: Jonah Bornstein Lisa Marie Brodsky Linda Cheryl Bryant with Zsazan Tiffany Buck Corinne Dekkers Darren C. Demaree
Third Page: Steve Dieffenbacher Salvatore Difalco John Van Dreal Judith Edelstein Amelia Diaz Ettinger David Felix
Fourth Page: Delia Garigan Abigail George Brigitte Goetze Audrey Howitt Lawson Fusao Inada Clarissa Jakobsons
Fifth Page: Colin James Marc Janssen M. Johnsen Jola Jones Shirley Jones-Luke Michael Lee Johnson
Sixth Page: Matthew A. Jonassaint Tim Kahl J. I. Kleinberg Joy McDowell Catherine McGuire Amy Miller
Seventh Page: Lorelle Otis Jerri Elliott Otto Sue Parman Diana Pinckney Bart Rawlinson Leslie Rzeznik with Lewis Carroll
Eighth Page: Yumnam Oken Singh Sarah Dickerson Snyder Barbara Spring Andy Stallings R. S. Stewart Doug Stone
Ninth Page: Patty Wixon Vince Wixon Maddie Woda Matthew Woodman Back Page with Lorelle Otis
A little trick we have or have not learned–Jim Harrison
We try to be the girls in the back of the classroom with
blush left over from the night before, furtive when our
dads stumble home from work, but we’ve come this far
as canny and precocious and barefaced. We sound like
a chorus of clicking pens and nail files, chattering over
$10 wine purchased with a fake Louisiana license that
your mother said would only trick the bouncer if he was
legally blind in ten states. We have Ella on in the corner,
crooning with Louis and the band, and detonate one
bomb after another: my mom dreams in Hillary
conspiracy theories, everyone lied about that green
juice bullshit, we each kissed a girl this year but nobody
knows if the smoking gun is at the dinner table with us.
We spear cheap marshmallows on wooden skewers
and dip them in chocolate, grown up campfire treats,
until you mistake your cigarette for dessert and
tap the double burner full of ash. Better in there
than in your lungs, we all shriek as we light up another.
–after Rufino Tamayo’s Pintura académica, 1935
Lightning strikes yes sometimes
the artist catches burnt
without scarring but sometimes
high tides with rocks pocket
full of ovens in the head
or bridges to fall what
I mean to say electricity
can surrogate Venus no
but half shell yes and away
I pen I palette the tickled
pink of slipping and standing
still bringing down to earth still
light touch as vulnerable
in one’s disarray juggled
step stumbled right up
release the sprung glimmer
desire sometimes mismatched
collaborate mind could be all
Matthew Woodman teaches writing at California State University, Bakersfield and is the founding editor of Rabid Oak. His poems appear in recent issues of Sonora Review, Oxidant/Engine, S/WORD, Sierra Nevada Review, and The Meadow, and more of his work can be found at www.matthewwoodman.com.
Pear, watercolor and poem by Lorelle Otis
Lorelle Otis has been a painter, illustrator, and graphic designer for 45 years and has taught art and design for 32 of those years. These poems are from an ongoing project, A Few of the Ten Thousand Things. All works are watercolor with personally designed and hand-drawn type, composited in Photoshop.
Artist’s Statement: I discovered mindfulness meditation through painting when I was a teenager. Walking in nature, collecting treasures, drawing, painting, and writing help me to get away from technology and experience the world around me.
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