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Diane Raptosh

Dear Zygote in Your Limniad State

Dear Zygote,

You should enjoy your limniad state,
nymph-like and windless, there on two sides

of a threshold. Howsoever, the WordHippo
wonders if I mean to speak lemonade.

This saké is murky, and it makes me wish
I could tottle off to that original somewhere

in whom even the wines sip words
and live alphabets draw on that spliff

of night air. Life Speck, here is
the ordinal pregnancy:

Without each other, we hole up
within each other. Remember, too,

I have been busy, turning
the soil in the few people’s hearts

I plan to rename the grave
when my day comes: Am hoping to sow

the silt-line conditions for a happy death—
choired by Husband Consciousness—

that wry spirit-vegetable. That solid air
loyalty. Netflix, elsewhere,

boots into verb, while power lopes in
to daily unheaven everyone. Still,

for the most part, Ms. Zygote Missive,
you are the test of the great human maybe,

there in that mother-hip meadow—
that namelessly face-free state

of between. Dear nymph-dividual:
Let me not spew lemonade,

as I’ve gotten wind of your balls-out greed
for the good of all species.

 

This poem was just published in Raptosh’s full-length collection, Dear Z: The Zygote Epistles (Etruscan Press 2020). To learn more about Diane’s life and work, go to Willawaw’s current poet laureate prompts here.

Maria Rouphail

Annunciation

He wants to be born.
So first he enters the dream of the woman
a doctor has told will never conceive.

He lets himself in through the gate
of her sleeping brain during a hard snow
in late November.

He gives himself eyes and hair like hers,
wraps himself in thick fleece, his fingers curving
over the hem, like the paws of a burrowing mammal.

She wakes with the dream of him still clinging,
I’ve birthed a black-eyed baby boy, I’ve carried him
up the aisle of the church to the baptismal font.

She goes to the window where slantwise
snow erases the houses across the street.
Only a curbside lamp on its iron stalk breaks through,
‌                        a yellow clot in the boreal blur.

After she has laid aside the dream or forgotten it,
he enters her body sometime in January.
His arrival ignites engines and fires up turbines

with power unknown to her, making her whole
being a construction zone for the laying of foundations,
the framing of the many rooms of his evolving body.

In April, cornerstone and beam well set and level,
he shows her his brain and spine, a string of perfect lights
blinking in the midnight sky of the sonogram.

The doctor is speechless. But the woman
rehearses the names of her beloved living and dead.
She will pick one of them.

She watches the tiny heart strobe in its cage.
Beacon of what is coming in October.
A swaddling blanket. A christening.

 

Maria Rouphail lives in Raleigh, NC, and she is the author of two books of poetry. Her third manuscript, All the Way to China, is currently looking for a home. Rouphail is emeritus from the English Dept at NC State University, and she is the poetry editor at Main Street Rag. 
This poem was a finalist in the 2018 Poet Laureate Competition of the North Carolina Poetry Society.

Dale Champlin

“Queen of Bavaria”–Collage, 8″ x 7.6″

Carla Sarett

Dear One Medical

You are here for me,
for my physical needs
for my mental needs
and did you say,
did I read correctly,
my other needs?

Did you mean my
material requirements,
organic cotton, and
radicchio and endive,
dressed lightly with lemon?
Or my spiritual needs, so

neglected these past
few decades, what with
work and exercise  and
diet and no faith in
miracles, although I
would not mind one,

as long as you are offering,
I wish to be transformed
from this inauthenticity
to the next level
of transcendent
reality and bliss.

You have my name,
my address, heart rate.
blood type, weight,
my blood pressure,
I have given all.
I am waiting.

Carla Sarett‘s recent work appears or is forthcoming in Prole, Halfway Down the Stairs, Third Wednesday and elsewhere; and has been nominated for Best American Essays and the Pushcart Prize.  Her novel, A Closet Feminist, will be published in 2022 (Unsolicited Press.). Carla has a Ph.D. from University of Pennsylvania and lives in San Francisco.

Hibah Shabkhez

Darning

She is always darning the frayed fabric
Of things. Socks or sentences, she contrives
To darn them, with the needle and the word.

Like the pruning spade, she heeds the warning
Clink of steel against roots. Though something loth,
She locks word threads and sound cloth in a truce.

Where a simple seam would mend, her darning
Is forced always to masquerade as cloth,
Or as an oath arm in arm with the deuce.

She is darning, darning, darning a trick,
A mirage of freedom that chirps and strives
To pretend wholeness, like a wing-clipped bird.

Hibah Shabkhez is a writer of the half-yo literary tradition, an erratic language-learning enthusiast, and a happily eccentric blogger from Lahore, Pakistan. Her work has previously appeared in Black Bough, Nine Muses, Borrowed Solace, Ligeia, Cordite Poetry, and a number of other literary magazines. Studying life, languages, and literature from a comparative perspective across linguistic and cultural boundaries holds a particular fascination for her.     Blog:  hibahshabkhezxicc

 

Bradley Stephenson

Eating Infinity

Crouching on a long-shore bar,
I watch hairy-chested men
with a shovel, grill grate and lighter fluid
dig a pit in the curving barrier island.
A glow emerges
as the midsummer sun fades
behind the dune ridge.
Children in dripping bathing suits run
in along the tidal flats to join
the tribal gathering.

I feel the radiating heat on my ankles
from the white hot coals.
Ground beef patties
imbued with chopped red onion,
garlic powder and tongue-tickling season salt,
on paper plates covered with foil
on tailgates of Suburbans
parked backwards in a semi-circle
like an armada of covered wagons,
are now audibly searing on the open flame,
rapacious faces illuminated by firelight
in anticipation, the continual beat of humanity
by the edge if infinity
as the deep blue sky gives way to black.

Sand burgers have the taste of eternity
after Gulf winds have kicked up mud blanket grit,
we eat them with our hands
and don’t mind if drops of grease roll
down our bronzed arms.
The rhythmic ebb and flow
of smooth, round, symmetrical waves
can wash us clean.
But the terrigenous particles of
quartz, feldspar, and garnet that
we have unwittingly delighted in,
washed down over millennia from the Rio Grande,
the Colorado, the Brazos are now
forever part of us.

Nothing can separate us from the siliceous
grains of diatoms and radiolarians that
wind has blown into our charred meat
from the timeless face of the shore.

Bradley Stephenson is a retired attorney living in Burlington, Vermont.  He is a native Texan and his writing is shaped by gulf coast beaches, hardscrabble hill country, and the Chihuahuan desert.  He has advocated for disability rights and increased federal funding for neuromuscular disease research. 

 

 

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