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Laura Ann Reed

No Cats

–after Robert Hayden

On Sunday mornings, my father tiptoes
from the room where my mother sleeps
curled into her griefs. He closes the door,
careful not to let it creak.

I follow him into the laundry room where
he spreads old newspapers over the floor.
He sets out tins of polish, a brush
and flannel cloth. Picks up a shoe. Under
his breath he whistles a tune he claims
he listened to on the radio, as a boy–
When the Red, Red Robin. A happy song,
he says. Perhaps it’s because he whistles
off-key that it sounds sad.

What do I know about the sadness
in this house, the disappointments?
The way sun refuses to stipple
the walls? I look down at the daubs
of red, yellow, blue, and green
in the linoleum, playing a game:
If I find a cat in the pattern, I can
make a wish. But the daubs
are haphazard, there is no pattern.
Every week I look, but
there are never any cats.

 

Laura Ann Reed holds a BA in French/Comparative Literature from the University of California, Berkeley and completed Master’s Degree Programs in the Performing Arts, and Psychology. She was a dance instructor in the San Francisco Bay Area prior to assuming the role of Leadership Development Trainer at the San Francisco headquarters of the U.S. Environmental Protection Agency. She and her husband now reside in western Washington. Her work has been anthologized in How To Love the World: Poems of Gratitude and Hope, and has appeared in Blue Unicorn, Grey Sparrow, Macqueen’s Quinterly, The Ekphrastic Review, and other journals

Erica Reid

The Getaway Car

–for my niece on her first birthday

Look, little hellraiser, I am not known for my natural way
with children. I’ve had to learn a lot since last October.
I thought your teeth came in too early, for example,
but it appears that you know best. You also know
my brother better than I ever did—when you’re ready
I hope you will teach me your magic, how you transformed
my baby brother (who loved to chuck toy planes at our ceiling fan)
into your protective father. But today is your birthday, Fiona, and I am
meant to be giving you gifts! Your dad is no doubt expecting
Baby’s First Book of Suffragettes or a cherry red pocket knife
made for little hands. I want to believe I have something else
to pull from behind your ear, a tarnished copper piece
of wisdom I could never tell my brother. Just for us girls.
Today that task is beyond me, but here is what I can offer you:
when you collude with the moon and decide it is time to ask
a question, any question, my answer will be yes. Need help
conquering your very first unconquerable mistake? Yes,
I’ve untied my share of knots. Watch my hands. Are you ready
to make a little mischief, something to make your diary
worth hiding? I have ideas. (It is not safe to discuss them here.)
Eager to pierce whatever women are piercing in 2035?
Yes, I will know just the place—but dream bigger than that, Fi.
Get creative. Make me sweat a little. Lose a night’s sleep
over the heft of your request. If you are anything like me,
you will find yourself in need of a getaway car. Ask me. Now,
go eat your celebratory peas. Please also find enclosed
a photo of your father when he was your age, a tin can
with 1,700 miles of string, and, why not, a pocket knife. Red.

Erica Reid lives in Fort Collins, Colorado; she earned her MFA at Western Colorado
University
(‘22) and serves as assistant editor at THINK Journal. In 2022 she was
nominated for Best New
Poets; in 2021 her poetry won the Yellowwood Poetry Prize
and the Helen Schaible Sonnet
Contest (Modern Sonnets category), was nominated
for a Pushcart Prize, and was commissioned
by the Cincinnati Pops Orchestra.

David Memmott

Threshold–24×30 digital collage

Lindsay Rockwell

The Currach

Listen— to your heart knocking in the gallows
‌          of your chest, bewildered & exhausted—

as cavalcades of clouds corral the sky
‌          deep forest streams whimper
‌                    & a cold, cruel chill ferrets
‌                              the minds of those we do not understand.

Faces etch
‌          into a cacophony of hate
slay skin, feather, even stone—

‌                    & you lie down upon a bed of prayers
‌                              turn, turn & turn
‌                                        distant, delicate, broken.

Had you wings they would not fly
‌          covers they would not warm.
There is no East.
Scent of wind sometimes takes you
home, more often leaves you lost.

Listen— your knocking heart, bruised & clamoring wildly,
‌                              is seeking some instruction.

As your gaze trawls the sky— listen.
‌          As you bend, become the meadow— listen.
When you balance mercury & fire
wrestle angel’s veil of death & fan the flames
of ghost fires left behind— listen.

A tide arrives to wake you.
‌          You for whom light drops to shadow at your feet
‌                    for whom sleep slips endlessly away
‌                              & stories left behind leave you inert, belly up—

There is a currach waiting, rocking softly
‌          in the dark, to paddle you, slow
& steady, with oak oars carved of kindness
‌          through mind’s invisible cloak that wills its work upon you—
for you have dreamed
‌          a world of light a million times.

Lindsay Rockwell is poet-in-residence for the Episcopal Church of Connecticut as well as host for their Poetry and Social Justice Dialogue series. She has been published, or is forthcoming in, Connecticut River Review, Amethyst Review, Iron Horse Literary Review, Birmingham Arts Journal, Sky Island Journal among others. She won first prize in the October Project Poetry Contest, 2020, and the 81st Moon Prize from Writing in a Woman’s Voice, 2021. Lindsay’s new collection, GHOST FIRES, will be forthcoming from Main Street Rag spring/summer 2023. Lindsay also holds a Master of Dance and Choreography from NYU’s Tisch School of the Arts and is an oncologist.

Beate Sigriddaughter

Prayer

Thank you for the miracle of flesh and bone,
of eyes, ears, lips, of splendor all around.
Give us this day our daily joy
‌          (two lizards on the trail, the tissue paper skin
‌          of an ancient woman jubilantly stopping
‌          with an encouraging smile under the blue sky
‌          to let me pass in my habitual hurry, then
‌          two books from a poet friend in the mailbox)
despite the news that rolls like bitter wind
across the land (headlines howl
‌          with blasts of unavoidable intensity)
and forgive us our huge disappointment
‌           (with bigotry, racism, misogyny, injustice)
as we forgive those who flavor our days bitter
‌           (with bigotry, racism, misogyny, injustice)
and lead us not into indifference
‌          (so much trash tossed on the path,
‌          so many places troubled with confusion)
but deliver us from numbness
‌          (we often feel so small that it is difficult
‌          to imagine how we can even make a difference,
‌          and we can, and we must)
for you are the colors and the seeds, the water
and the sun, and the breathtaking beauty and power
to give us strength and hope to do our part
in your magnificence. Thank you for the miracle.
‌          (oh, look! a young bird brave in its nest!)

 

Beate Sigriddaughter, www.sigriddaughter.net, grew up in Nürnberg, Germany.
Her playgrounds were a nearby castle and World War II bomb ruins. She lives in
Silver City, New Mexico (Land of Enchantment), where she was poet laureate from
2017 to 2019. Her latest collections are short stories Dona Nobis Pacem (Unsolicited
Press, December 2021) and poetry Wild Flowers (FutureCycle Press, February 2022).
In her blog Writing In A Woman’s Voice, she publishes other women’s voices.

Jeffrey Thompson

Dusk

The sky is a sheet
In my hands and my eyes
Open on the riverbank
Where dreams lap the water.
The river is the light
I watch by.
The sun is a stone
Half buried in silt.
Clouds robe the moon.
The current carries the rain
Past me and cottonwoods
Cradle the wind.
Dawn is a net
Catching the tracks.
The tracks stretch all the way
Back home.

Jeffrey Thompson was raised in Fargo, North Dakota, and educated at the University of Iowa, where he studied English, and philosophy, and at Cornell Law School. He lives in Phoenix, Arizona, where he practices public interest law. His work has appeared or is forthcoming in journals including North Dakota Quarterly, The Main Street Rag, Passengers Journal, Tipton Poetry Journal, The Tusculum Review, FERAL, Unbroken, On the Seawall, Willows Wept, and Burningword Literary Journal. His hobbies include reading, hiking, photography, and doom-scrolling on Twitter.

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