Willawaw Journal Fall 2022 Issue 15

Hello Readers,

Though not official on the calendar, the days have already shifted and shortened; autumn is here. Many of the poems is this issue speak to this turn, or will speak of tomatoes and of fathers, sometimes in the same poem (with thanks to Stacey Boe Miller). Many will speak of birds—warblers, sparrows, chickens, and owls—or just feathers—an airy dance for you, dear reader. As I read and reread the collection, I am left with a feeling of having navigated some perilous adventures successfully. I won’t drop names today but leave you to discover what is treasure.

For those of you interested in data and demographics, this issue features contributors from 22 different states and four different countries, 22 men and 19 women. Twenty-six of the forty-one poets are first-time Willawaw contributors. There is a pleasing array of talent, emerging to very well-established.

The artist, David Memmott, generously shares with us a high-energy and high-chroma palette of work based on photo and ink drawing, which he calls his “Crooked Comix.” See the BACK PAGE for his artist statement and link to his website gallery. He is also a contributing poet.

Are you ready to go inward, to move into the darkness of winter? Let these poems carry you across the threshold. And please share with your friends.

Yours in poetry,

Rachel Barton

Sparrows

A surgeon soon will open your ears,
letting in the din. For years,
I’ve watched the sparrows perched
in your lap leap into their deft display
of notes and calls, but never caught the song, no more
than you, with the best interpreter, the beck and shrug
of the verbal music we sing. A sparrow sings
on a sunny day in winter, and so you’ve sung the sun
in wintry silence, hearing only
in the stranger’s face or lover’s touch
what others hear in words. I don’t know much
about your quiet world
though I’ve pressed its labyrinthine shell
to my ear (as you must, at times, our mute one)
and wondered at the cloistered ocean billowing there.
I’ve tried to imagine how hearing us will stun you
as well as your mouth’s first stumbling steps,
but I’m sure, when sound breaks through your youth,
it must be much like the moment when, at last,
the deaf mind hears the marvelous tongue of truth.

Ken Anderson (Decatur GA) was a finalist in the 2001 Saints and Sinners poetry contest. New Poetry from the Festival (an anthology of the 2021/2022 winners and finalists) includes four of his poems. His poetry books are The Intense Lover and Permanent Gardens. Publications include London Grip, Lullwater Review, Penumbra, Sangam Literary Magazine, and Toho Journal.

Astronomy and Me

Planets, real and imagined, often get attention here on earth. Like Frank
Herbert’s Dune Wonder, Arrakis, home of the spice, most valuable treasure
in the universe; or Mars, the red planet we scour for life’s building blocks–
carbon, water and petrified Martians; also, Pluto, on and off the list for
decades, named by an eleven year old English girl. I don’t know which is
more impressive, that the planet was named by a teenager or that a
teenager chose a Roman god instead of John, Paul, George or Ringo.

As a youngster in school, I remember astronomy as a new science, not
having yet landed on the moon nor even heard the Big Bang. I made a
model of the solar system, out of balloons, planets to scale but not their
orbits. That would have taken seven miles of the Nevada Black Rock
Desert.

I wondered how the planets, asteroids, and other big rocks, despite
concentric orbits, avoided crashing into each other like racecars on the
NASCAR circuit. Scientists preached probability, like playing marbles in a
parking lot, the gigantic vacuum of space. But I can find a piece of dog poop
with my shoes in the dark. Some of us are just talented. The movie makers
dreamt about asteroids hurtling toward earth and spun yarns about Bruce
Willis preventing the apocalypse.

I accepted that the sun burned 93 million miles from the earth, a distance I felt I could
live with. We studied Fig Newton’s Laws of Motion, the forces of attraction and
gravity. I did feel this attraction in class once, bumping into Theresa Fannon’s planets
on the way to recess.

A light year was just being made public, not to be confused with a light beer
invented the year before and launched at the Super Bowl. I accepted on
faith why standing at the South Pole, or Tierra del Fuego for that matter,
didn’t feel upside down, explained again by my attraction to Miss Fannon. In
fact, gravity explained just about any nonsense: Dad, why can’t I borrow the
car? Well, son, gravity, that’s why. Would we even know if the north and
south poles traded places? I’m pretty sure Einstein told us that space is
curved – and yes, of course, gravity does the bending…

All in all, it makes sense why I majored in English, finding it a touch easier to
understand white whales, Boo Radley, and Don Quixote than the theory of
relativity.

Silverbacks

On a walk
in the bamboo forest
dreams roll in.

Heavy brume and mist
obscure the green jungle,
as if looking through a wet window.

Hornbills cry and wind shakes grass.
The silverback steps out
from the bush,

ghost-like hair, two steps,
a knuckle walk and pause,
calmly surveying his realm.

He bares white canines
and taps his black leather chest
with massive hands,

the sound almost imperceptible,
more like a yawn –
a suspicion of power.

Granite forearms
and barrel thighs
belie his slow movement.

brown eyes deep in caves,
face dominated by nostrils,
a natural frown.

Make no mistake,
he once had a quick temper,
roused by threats and jealous rivals.

My realm, too,
has turned to silver and white
over the yawn of years.

We stand across this dreamy chasm
and regard each other,
hominid cousins in our sterling years.

The silverback pounds his fist
on the dirt as if to say
we are still Lords of our Forest.

Frank Babcock lives in Corvallis, Oregon and is a retired Albany middle school teacher and owner of a bamboo nursery. He writes poetry to share the strange thoughts that rattle around in his head and to get them off his mind. He started with an interest in the beatnik poets, Ferlinghetti and Ginsberg. He has a long way to go and much to write before he sleeps. Poems published in the local Advocate, Willawaw Journal, and Panoplyzine.

My Lover’s in Texas

My lover’s in Texas–
Left with a white flag
and wet bones,
no luggage.
Said he was going for
a while–a while ago he
said he was going

to bring back monarchs
and bluebonnets–
the kind that never shift
direction once they’re planted.
Said he was going to
recreate the Alamo,
said he was going to
find a green horse.

It’s been a while since
he said he was going–
told me he’d be back
in a dream. I told him
he’s been by the Gulf a
hundred times or more
and still can’t concede
the rock from the sand;
the sea from the shore.

I found a picture of
us inside an old sweater;
connected the freckles on
his face that form like a
constellation after the
day blisters over.

So I counted them like I
count the years I’ve been
holding onto the tail end
of a kite. My lover’s in Texas –
found himself there tugging
on the seam of the sky.

Jodi Balas is a 35 year-old female, and poet-at-heart, who has been using her recent Autism Spectrum Condition as a catalyst to cultivate a ton of new work that she hopes will inspire many writers and readers. 

Autumn Song

In the trees a mad flurry of warblers –
Cape May, Tennessee, Black-and White, Chestnut-Sided–
spring colors gone drab for winter. Their beaks
work the last leaves. No singing now.

Cape May, Tennessee, Black-and White, Chestnut-Sided
dart here and there through grey branches
to work the last leaves. No singing now.
They come zigzagging down,

dart here and there through grey branches
like snowflakes already covering peaks in Wyoming.
They come zigzagging down,
whirling wings and brown feathers over the ground

like snowflakes already covering peaks in Wyoming.
I want to fly north where the world glitters white,
whirl wings and brown feathers over the ground
to hear fresh Arctic wind singing now.

I want to fly north where the world glitters white,
away from spring colors gone drab for winter,
to hear fresh Arctic wind singing now
in the trees like a flurry of warblers.

Louise Cary Barden’s poetry has won the Calyx Lois Cranston Prize, Oregon Poetry Association award, the Harperprints chapbook competition, and others. Her poems have appeared in such journals as Timberline, humana obscura and Cathexis Northwest. She is a self-avowed tree-hugger whose career indecisiveness has taken her from teaching college English to writing advertising and editorial copy and managing marketing programs. In 2017 she settled in Oregon after many years in North Carolina.