This editor has been practicing “sheltering in place” for a couple of months, owing to a hamstring injury (which is healing very nicely, thank you!), so the opportunity to read and to converse with contributors this cycle was especially rewarding. Also, the delicious prompt, “At Klamath Marsh,” provided by Oregon’s Poet Laureate Kim Stafford summoned particularly rich work on the themes of place and rootedness. I hope our readers are transported to the home ground of our writers, or that they are stimulated to recall a home ground of their own.

Claire Burbridge has gifted us with the images of a half dozen pen and ink drawings. Her macro-to-micro universes unfold as mycelium, a thorn bush dreaming, a flash of consciousness, and more. She shares a detailed artist statement on the Back Page.

Many thanks to the poets and artists who make Willawaw come to life. Their work seeds the collective consciousness with beauty and truth enough to nourish our souls while the Spring Equinox signals new growth and the upcoming light of summer. May we make the most of the gifts before us.

Warmly,
Rachel Barton

Willawaw Journal

Share
Published by
Willawaw Journal

Recent Posts

Willawaw Journal Fall 2024 / Issue 19

‌ Sarah Barton--Zhen Xian Bao 31. Rives BFK, chiyogami, paste paper, origami paper, inks. 10”x…

2 months ago

Notes from the Editor

Dear Readers, I was almost waylaid by a corgi at the market this morning, nearly…

2 months ago

Rose Mary Boehm

The Mood Turns The swifts have weaned their young and those the cat didn’t get…

2 months ago

Ed Brickell

Passing All Understanding We bargain for peace meeting our understanding, Unaware of the need to…

2 months ago

Jeff Burt

Stones Rise Skimming the edge of an esker, gravel crunched by boots, immature red polyps…

2 months ago

John Paul Caponigro

Abandon Ship Every voyage to Antarctica begins with an alarm, for a drill on how…

2 months ago