Red Poppies

Once in the pit of a late afternoon,
my father lay in a room, alone.
A small machine,
its tubes and cables delicate as fish bones,
encircled his failing body.
Its hum could be called
a comfort.

Now I’m with my father.
Amber glyphs shimmer on a black screen.
Women in white shoes
hush in and out of the room,
sweep the long blue curtain closed,
remove a table.
A man with a kind face
turns and hands me a clipboard
with a paper on it I can’t read.
I’m given a pen.

In the hallway, two boys laugh softly
as they ride their wheeled shoes
to the vending machine
in a further wing.

My brother sits quietly beside me.
We’re in large chairs
at a small desk
in a corner office.
My mother is nearby, immobile.
The three of us are
a broken triangle.
Sunset splashes from a window
to coat all the surfaces
in the room,
and I am about to sign
my name on the paper.
I don’t want to,
because it is a mountain
I don’t want to climb.
But I do it.

A slow retreat of needles,
switches closed, circuitry shut down.

As we leave, a receptionist
hands me a fistful of
red poppies. I hand them back.
I don’t want to claim the stain
of their bloody fire.

 

The Blue Boat

–for Sam

A boy and a girl in a blue boat
cruise the bay,
rowing in broad strokes,
each weighing in on the burden.
Here is the hard white of the sun.
There, a heron’s elegant gesture
in the salt shallows.

The boy has tied flies,
he’s shown his sister how to tie them,
bunching pinched feathers
with tiny knots
on a hook’s crooked grin.
He has made other lures,
shining drops of silver
hammered to spoons.
She watches them flutter
like wings, underwater.

Gulls call overhead.
Fish browse beneath the boat.
Spools of filament are reeled in,
then played out again.
The wide sky reflects
in the bay’s wavelets.
A thrashing perch breaks the surface,
its mouth thrown open,
the hook pinned in its lip.
The girl removes the fish,
and hands it to the boy.

They row slowly home,
the oars drawing through gray water.
They climb from the boat
to a weather-polished pier.
The day’s catch dangles on a string,
dripping diamonds from gleaming skins.

They are always this age,
the boy and the girl.
They’ll always stay the same.

Carolyn Adams‘ poetry and art have been widely published. She has authored four chapbooks, and was nominated for a Pushcart prize, as well as for Best of the Net 2017. She was a finalist for 2013 Houston Poet Laureate. Having relocated from Houston, TX, she now resides in Beaverton, OR.

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